Posts
To : artshow_photo@yahoogroups.com
Subject : Re: [artshow_photo] Re: Which Canopy system?
Date : Sat, 25 Oct 2003 15:54:51 EDT
Thanks Brian I will check that system out. I really appreciate the info!
Rick
John Labovitz
To : artshow_photo@yahoogroups.com
Subject : [artshow_photo] Re: Which Canopy system?
Date : Sat, 25 Oct 2003 08:58:10 -0700
On Oct 24, 2003, at 6:47 PM, John wrote:
> http://www.lightdomecanopies.com/
> Ocala, FL.
> (I believe might be the easiest of these to set up? I like it
> because they light shines through, without needing a sunroof. I
> understand the roof shape of the light dome withstands higher winds
> than the dome style canopy like their sister canopy The Finale).
I have a Light Dome I bought last summer. It worked well at the four
shows I've used it at so far. Setup, even for one person, is not so
bad. It definitely takes longer than an EZ-up, but once the Light Dome
is up, it feels much more confident to be under! It held up great in
moderate wind and heavy rain.
I've had very good luck simply asking my fellow show artists for help &
advice. I've learned a bunch of small but quite useful techniques for
the Light Dome just by being neighbors with another person with the
canopy, or walking around and finding someone who has one.
The only problem I've had is the aluminum supports for the awning
became scratched somehow and are now very difficult to assemble. I
called the company a while back, and they said I could ship in the bad
supports and get replacements. Haven't done it yet, though.
> I've heard some negative comments about their customer service
> though. Don't know if this is true. They don't have prices on their
> website though, so I called and they are sending me a price list.)
Creative Energies' customer service sure is funny. They have a
website, but don't seem to care much about it. I thought I saw prices
on it, but wouldn't be surprised if they weren't there anymore. They
really want you to call the 800 number -- and be warned, if you have
*any* sort of detailed question, you will be referred to Roxanne, who
will probably have to call you back. It's sometimes infuriating, but I
will say that they do follow through eventually.
I also bought the mesh display panels. They work quite well.
--
John Labovitz photography
www.johnlabovitz.com
johnl@johnlabovitz.com
+1 503.873.6734
Joe Decker
To : artshow_photo@yahoogroups.com
Subject : Re: [artshow_photo] Large prints
Date : Sat, 25 Oct 2003 08:12:58 -0700
At 01:05 PM 10/22/2003 -0400, Wayne and Bonnie Miller wrote:
>Where can I get large prints printed on an Epson 7600 or 9600?
>Wayne Miller
I'm very fond of Calypso Imaging in Santa Clara, California.
Very professional outfit, not necessarily best dollar, but they're
a joy to work with.
http://www.calypsoinc.com/
$7.50/sq ft.
This pricing presumes you're able to do your own color management,
etc.
-Joe
Joe Decker, Rock Slide Photography http://www.rockslidephoto.com/
Now playing the Smithsonian:
http://www.rockslidephoto.com/prpix/nb.html
Larry Berman
To : artshow_photo@yahoogroups.com
Subject : Re: [artshow_photo] Re: Which Canopy system?
Date : Fri, 24 Oct 2003 22:01:00 -0400
I've used a Craft Hut for about eight or nine years now. Takes me about 20
- 25 minutes minutes to set up or about an hour including setting up the
racks inside and connecting everything together. It's about the only one I
would trust walking away from at night, though the others may be fine also.
They are the most popular because they were the first with a great
reputation on the circuit. Probably the heaviest, not the most difficult to
set up, and might require the most room in your vehicle.
They do offer great custom options. Skylights which I recommend getting
three single width with one in the middle and one along each wall. That
lights up the walls where your work is hanging. Awnings for all four sides.
Mine are made from skylight material so (again) the work is light up. I
carry one traditional (opaque) awning for my wife and myself when we sit
behind the booth. I also carry a six foot awning for shows that give me the
room behind, like my 17 foot deep space in Ann Arbor.
I carry two totally clear sides for the front and side if I have a corner.
Those paid for themselves at the first rainy show I used them at.
Depending on your rack system, the seven foot Pro Panels are made to
connect to the cross pieces in the Craft Hut for additional support.
Larry
>I too am looking for a new canopy to use. Years ago, before I knew
>much about canopies I bought an easy up for $200. But now that I'm
>doing more shows, I'm ready to move up to something I can easily zip
>up all 4 sides when the weather gets bad.
>
>I don't think you can go wrong with any of the following:
"John"
To : artshow_photo@yahoogroups.com
Subject : [artshow_photo] Re: Which Canopy system?
Date : Sat, 25 Oct 2003 01:47:22 -0000
I too am looking for a new canopy to use. Years ago, before I knew
much about canopies I bought an easy up for $200. But now that I'm
doing more shows, I'm ready to move up to something I can easily zip
up all 4 sides when the weather gets bad.
I don't think you can go wrong with any of the following:
http://www.lightdomecanopies.com/
Ocala, FL.
(I believe might be the easiest of these to set up? I like it
because they light shines through, without needing a sunroof. I
understand the roof shape of the light dome withstands higher winds
than the dome style canopy like their sister canopy The Finale).
I've heard some negative comments about their customer service
though. Don't know if this is true. They don't have prices on their
website though, so I called and they are sending me a price list.)
All the models below, I'd recommend getting with the skylight.
http://www.flourish.com/
St. Paul, AR
(Interesting what Brian had to say about this system. I hadn't
realized it was difficult for one person to setup. This is an
important factor to me as I almost always setup by myself. I do hear
they are very sturdy though! Also skylight comes standard!)
http://www.newvp.com/
Show Off -
Clearwater, FL.
Not as familiar with them, but they look nice and seem similar to
the crafthut but built with lighter aluminum, which can be good and
bad. This company is local to me, so I plan to go over there and
chat with them.
http://www.crafthut.com/
Fort Myers, FL.
Seems to be the most popular. I'm not sure why? Is it they are the
best? It seems like all components are quality. Seems a tad hard to
setup by yourself though.
As far as display panels, most of the manufactures above have some
kind of display system that connects to their frames. I purchased a
self standing carpeted Pro Panel htpp:www.propanels.com/ system
which I have been pleased with. It looks fantastic and you can use
them easily for indoor shows as well. They do take alot of room
though and are fairly expensive. If anyone has suggestions on how to
reinforce these panels with any of these canopies frames, I'd be
interested.
I too look forward to hearing other comments others have about these
systems, as I plan to purchase a new one in a week or two.
John
"Brian Maguire"
To : artshow_photo@yahoogroups.com
Subject : [artshow_photo] Re: Which Canopy system?
Date : Fri, 24 Oct 2003 21:32:52 -0000
I am very happy with the Trimline system from Flourish
(http://www.flourish.com/). The booth is strong, well made, and the
mesh panel system they sell is great for hanging artwork. In fact,
at several shows this summer I had other vendors ask me for
information about buying the system after seeing it in my booth.
Flourish offers a lot of interesting options, including an awning.
The one I adore is the sandbag weights that attach to the bottom of
the booth with velcro straps. I literally did not realize there was
a serious wind problem at one show until I was told 2 booths (both
ez ups, I believe) had blown away. It has also proven watertight in
some pretty nasty storms.
The Trimline is not the easiest in the world to assemble. I keep
being told that people have done it with one person, but I would not
want to try it. There is one critical stage in mounting the top
portion onto the rest of the frame that would be a bear. I have
found the people at Flourish very cooperative and that they give
good advice on options.
I have been doing shows for just over a year and so I have done only
one outdoor season with my booth, but I can say I have never
regretted spending the money, even though it is not the cheapest
around. Check their site for pricing with options but I think the
basic 10 x 10 booth is $775.
Brian
--- In artshow_photo@yahoogroups.com, ®
> I am a commercial photographer thinking about jumping into the art
> show arena. I have found a few canopy systems online, and would
> appreciate any advice in choosing one. I would like something
strong,
> I have large framed prints to consider. I would also like to make
> sure that whatever system conforms to most guidelines, and looks
> professional.
JNalven@aol.com
To : Ric@FineArtCenter.tv, keijo@tapan.on.ca, m_bowdidge@hotmail.com, eliopastore@gsmbox.it, lederer613@earthlink.net, cher@pendarvis-studios.com, bjoern@creativecreatures.com, compainter@hotmail.com, b.dumaine@wanadoo.fr, jim@greenflashphotography.com, Swami611@aol.com, kundada@uol.com.br, radu1@sympatico.ca, armarte2000@hotmail.com, vucinicm@eunet.yu, istanburak@hotmail.com, fusansan@earthlink.net, alexandre_gag69@hotmail.com, taze@bluewin.ch, ahunter100@juno.com, alison@artportraits.biz, ahuta@earthlink.net, salvus@salvus-arts.com, mamta@mamtaart.com, rongross@lindachido.com, Ramskates@aol.com, tony@webruler.com, info@allardice-grein.com, bgquan@myway.com, digitalteacup@yahoo.com, rmertens@optonline.net, hornung@wanadoo.fr, renata@spiazzi.com, beto@worldnet.att.net, dgk@tampabay.rr.com, etabac60@excite.com, audre@audre.org, kovacsegri@axelero.hu
Cc : steve@freetransform.com
Subject : Re: FW: Cork gallery - participating?
Date : Fri, 24 Oct 2003 17:27:33 EDT
Ric and all fellow digital artists:
You raise ongoing and important issues. I'm in the process of writing up an article about one permutation of the create/print/show (bricks and mortar location/ and sell (hopefully) here in San Diego. I'm writing the article to push the envelope of the discussion. Hope to have it up and running at an ongoing web-zine.
A fair number of us in the San Diego community have gotten together as a loose collaborative to experiment with bricks and mortar venues. Obviously, there is an open question about the viability of online galleries. One would think that internet communities, marketing locations and direct contact should continue to expand -- a question of timing and trust in the quality of the work and sales process.
George DiLorenzo, the creative director at Fulcrum Gallery (part of metaverse), seems to have a good approach, but still, the success of online marketing is still a curiosity to me and I too would like to hear more about the nuts 'n bolts.
My interest in MOCA/Cork is largely the opportunity to show. I realize this may be an investment -- like any other form of advertising -- and the results may not be immediate. But I'm OK with that. Art is a tough rode for most.
Thanks for taking the lead Ric, and I hope others comment as well,
Joe
www.digitalartist1.com
In a message dated 10/24/2003 12:14:28 AM Pacific Daylight Time, Ric@FineArtCenter.tv writes:
Hi All,
Do you know of what value it is to show in the MOCA/Cork Gallery show? I.E. Do any of you have experience with MOCA or Cork or other pay-per-show(s)? Many online galleries have accepted my works. (Nearly), all have cost and none yet have produced results in sales. Some have had concurrent location shows, awards, etc.
Please reply and let me, (or us), know if has first hand knowledge of "results," of online contemporary art sales. I couldn't resist this opportunity to ask artists. I'll not send you anything else unless you ask. I too hate SPAM -
FYI- Who the ____ is this guy? I'm RIC HORNOR, MFA, The School of The Art Institute of Chicago, 1980; video/photo/computer image processing/synthesis, making fine art since 1973, computer art since 1979. I've shown and sold artworks from my own studios/gallery and through reps for 20 years; many awards, International and national; founded NYC SIGGRAPH in 1983... Take a quick look at www.FineArtCenter.tv to see examples of my work. I hope it convinces you of my sincerity.
I'd like to hear positive reports of online art rep/sales/ opportunities, (fine art photo/computer, limited edition Gicl鼯SPAN>es).
Thanks in advance for your replies!
Sincerely and Best Regards,
RIC HORNOR,
916-933-4490
1001 Art Road, Pilot Hill, CA 95664
PS. Thanks, Steve for your inquiry. Web site art reps are all over the place with unknown value. After living for many years in SF, Chicago and 10 years in NYC, I moved out to the country, connected pretty much only via satellite dish ISP and a couple trips out each year for culture fix. So, I'm seriously looking for sales reps and I hope for excellent reports regarding your show, for artists, sellers and buyers! I hope to put something in your show but I'm most interested in what artists have to say.
Best Regards,
Ric
-----Original Message-----
From: steve soper [mailto:steve@freetransform.com]
Sent: Thursday, October 23, 2003 7:49 AM
To: Keijo Tapanainen; Michael Bowdidge; Elio Pastore; Joel Lederer; Cher Threinen-Pendarvis; Bjoern Daempfling; Kyoung Hung Lee; Bernard Dumaine; Jim Respess; Jim Wombacher; Nelson de Paula; Radu Manoliu; Arturo Reyes; Mirko Vucnic; Burak Yenigun; Colette Fu; Alexandre Gagne; Andre Maitre; James Gibney; Alison Armstrong; Ahuta Markman; Salvus; Mamta Herland; Ronald Gross; Rae Ann McCurry; Tony Scheuhammer; Jochen Allardice-Grein; Ric Hornor; Bonnie Quan; Kathryn Smith; Robert Mertens; Richard Sikora; Werner Hornung; Renata Spiazzi; Robert Ambler; Dolores Glover Kaufman; Edward Tabachnik; Audre; Joe Nalven; Tibor Kovacs-egri
Cc: Don Archer
Subject: Cork gallery - participating?
We were pleased to advise you some time ago that your art
was accepted for the Cork Gallery show in NY January 2 - 13, 2004.
We also more recently advised that the show will be extended
for another two weeks at a New Jersey venue.
We should like at this time to get a committment from you as to
whether you will be actually participating in the Cork show or not.
Will you be shipping prints?
If so, how many?
What are the expected or approximate frame sizes?
We need this information to help us plan a successful show.
Many thanks for your response.
Cordially,
Steve Soper
Cork Gallery Curator
MOCA: Museum of Computer Art
http://moca.virtual.museum/corkshow/cork.htm
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